Gilbert MÉTÉNIER (1876-1950) - Lot 93

Lot n° 93
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Result : 117EUR
Gilbert MÉTÉNIER (1876-1950) - Lot 93
Gilbert MÉTÉNIER (1876-1950) Stoneware pitcher with polychrome glazes (chip reattached to spout). Signed and n° 480 in black ink. H : 15 cm Gilbert Méténier, born in 1876, is a French ceramist known for his work in artistic ceramics in the late 19th and early 20th centuries. His career and creations are set in a period when ceramics in France were in full evolution, influenced by artistic movements such as Art Nouveau and Art Deco. Born into a family of artists, Gilbert Méténier showed an early interest in fine crafts. He first studied at the Ecole des Beaux-Arts in Paris, where he perfected his mastery of ceramic techniques. It was in the workshops of the great master ceramists of the time that he gained invaluable experience, particularly in the use of glazes and the creation of innovative forms. Gilbert Méténier's work is part of a movement of aesthetic research and valorization of ceramics as a true art form, beyond its utilitarian function. His creations are often marked by influences from Japonisme, a trend that exerted great influence on European art in the late 19th century, as well as Art Nouveau, with its sinuous lines and nature-inspired motifs. Méténier was active in several exhibitions, notably the Salon des Artistes Français, where he was widely recognized for his skill and artistic sensibility. He worked for prestigious manufactures, producing both decorative and utilitarian pieces, such as vases, dishes and carved objects. His work is characterized by great finesse in the application of glazes and particular attention to the harmony of form. Although the work of Gilbert Méténier is less well known today than that of some of his contemporaries, he played an important role in the development of art ceramics in France at the turn of the 20th century. twentieth century. His pieces were admired for their elegance and technical mastery, and continue to influence some contemporary ceramists. He died in 1950, but his legacy in the field of ceramics lives on through his works, which are sometimes held in private collections or exhibited in museums specializing in the decorative arts.
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