Atelier FRANÇAIS actif dans le Nord de la France, vers 1530 - Lot 77

Lot n° 77
Go to lot
Estimation :
3000 - 5000 EUR
Atelier FRANÇAIS actif dans le Nord de la France, vers 1530 - Lot 77
Atelier FRANÇAIS actif dans le Nord de la France, vers 1530 The Crucifixion and Resurrection of Christ Two stone panels carved in high relief Crucifixion size: 79 x 68 x 16 cm and Resurrection size: 80 x 68 x 16 cm (Damage and missing parts). Provenance: private collection from Brittany Related literature: -Flaminia Bardati and Tommazo Mozzati, " Des collines florentines à Tours, Antoine Juste et sa famille ", in La sculpture française du XVIe siècle, Etudes et recherches, le Bec en l'air édition, pp.167-181, 2011 ; - Marion Boudon Machuel, " Antoine , Jean et André juste à Tours", ss dir . B. Chancel-Bardelot, P.Charron, P.G.Girault, J.M. Guillouët, Tour 1500, Capitale des arts, catalog of the exhibition held from March 17 to June 17, 2012, notices 40 to 59, pp.200-229. -André Mussat, La Renaissance en Bretagne, Châteaulin, ed d'art Jos le Doaré, 1961 Our thanks to Madame Marion Boudon-Machuel, Professor of Modern Art History at the University of Tours Tours and Mr. Jean Beuvier, Doctor of Art History, specialist in Renaissance sculpted ornamentation, for their observations and advice. These two altarpiece panels, carved in high relief, present the New Testament scenes of the Crucifixion and Resurrection of Christ. The figures have all been mutilated, with the exception of the Virgin, but the high quality of the sculpture is still perceptible. Despite the damage, both scenes still display a wealth of detail. The scene on the left shows the Crucifixion, with the pampered Virgin in John's arms and the kneeling Magdalene, Longin and the horsemen at the foot of the cross. In the one on the right, Christ emerges triumphantly from his tomb, opened by an angel and flanked by Roman soldiers suddenly awakened from their slumber. The basin of the tomb is adorned with a medallion depicting a hunter aiming at his prey. The iconography of the two scenes is still entirely medieval, but the decorative repertoire of the frames bears witness to the spread of the decorative aesthetics of the early Italian Renaissance.
My orders
Sale information
Sales conditions
Return to catalogue