École ITALIENNE du XVIIe siècle d'après un modèle de Jean de - Lot 76

Lot n° 76
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Estimation :
8000 - 12000 EUR
Result with fees
Result : 14 168EUR
École ITALIENNE du XVIIe siècle d'après un modèle de Jean de - Lot 76
École ITALIENNE du XVIIe siècle d'après un modèle de Jean de Bologne, dit Giambologna (1529-1608) Horse passing through Bronze with brown patina. Dim: 23.6 x 28.5 cm on a blackened wooden base: 12 x 25 x 14.5 cm Related works : -Atelier de Giambologna, Cheval au passage, circa 1595-1600, H. 23.7 cm, bronze, London, Victoria and Albert Museum, A.148-1910 -Cast by Pietro Tacca after a model by Giambologna, Cheval au passage, 1600, bronze, H. 24.2 cm, Royal Collection, n°inv. RCIN 35467 -Antonio Susini, Cheval au passage, bronze, circa 1600, signed "ANT: SVSINII FLOR: FE", H.29,5cm , London, Victoria and Albert Museum, n°inv. A.11-1924 ; - Probably cast by Antonio Susini after a model by Giambologna, Cheval au passage, circa 1605, bronze, H. 38.9 cm with base, Staatliche Kunstsammlung Dresden, Grünes Gewolbe, inv.IX.33; -Cast 1600-1650 after Giambologna, Cheval au passage, bronze, H.:34.3 cm, Art Institute of Chicago, n°inv. 1960.887 ; - 17th-century Florentine school after a model by Giambologna, Horse at a walk with floating mane, H. 26.7 cm, bronze, former provenance Michael Jaffé, (Tomasso Brothers) ; - Giovan Francesco Susini after Giambologna, Passing horse, circa 1650, H. 23.7 cm, Collection of the Prince of Liechtenstein, INv. Prince of Liechtenstein, INv. SK 550 ; - Giovan Francesco Susini, after a model by Giambologna and Antonio Susini, Cheval au passage, bronze, 1628, Galleria Colonna, Roma; The genesis of the horse model dates back to the 1660s/70s. Various documents indicate the presence in Jean de Bologne's workshop of the wax prototype of a "cavalino". This was in response to a commission from Grand Duke Ferdinando I de' Medici, who wished to erect a monument to his father, Cosimo I. Cosimo I, a monument similar to the ancient equestrian statue of Marcus Aurelius in Rome's Piazza del Campidoglio, that John of Bologna took his horse prototype and enlarged it. Antonio Susini, who had become a close collaborator of John of Bologna, took part in this creative process, assisting him "to execute the models, molds and casts, as well as to clean them and then build them", according to Filippo Baldinucci (1625-1687). The model met with great success and was adopted by Florentine workshops throughout the 17th and 18th centuries.
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